Related Paintings of unknow artist :. | That malning of the younger motor van they Velad | Arab or Arabic people and life. Orientalism oil paintings 226 | European city landscape, street landsacpe, construction, frontstore, building and architecture. 106 | Heinrich von Werl and St.john the Baptist | Portrait of Duchess Charlotte Friederike of Mecklenburg as a child | Related Artists:
John Ritto PennimanJohn Ritto Penniman (1782-1841) was a painter in Boston, Massachusetts, USA. He created portraits, landscapes, and allegorical paintings, as well as designs for engravings, such as the official seal of the city of Boston in 1822. He also worked as an assistant to Gilbert Stuart. Penniman died in 1841 in Baltimore.
SCHEDONI, BartolomeoItalian painter, Emilian school (b. 1578, Modena, d. 1615, Parma)
Italian painter and draughtsman. He was the son of Giulio Schedoni, a mask-maker, who served the Este court in Modena and the Farnese in Parma; in 1598 Schedoni and his father are recorded as residing in Parma, both serving the court. In 1595 Ranuccio I, Duke of Parma, sent Bartolomeo to Rome, to train in the studio of Federico Zuccaro. Schedoni fell ill shortly after, however, and returned to Parma. His earliest surviving works show no evidence of Roman influence. The matter of Schedoni's training remains somewhat problematic. Carlo Cesare Malvasia claimed that he was a pupil of Annibale Carracci in Bologna, but there are reasons to doubt this. First, this would have been prior to Annibale's departure for Rome in 1595, a period when Schedoni was still apparently under his father's jurisdiction. Secondly, the early pictures indicate that initially his style was formed primarily by studying the work of Correggio in Parma. To a lesser degree he was influenced by the Parmesan culture of Parmigianino, Girolamo Mazzola Bedoli and Michelangelo Anselmi. As a boy in Parma he was also known to have frequented the studio of the Fleming Giovanni Sons (1547/8-1611).
Valentin Aleksandrovich SerovRussian Painter, 1865-1911
Russian painter, graphic artist and stage designer. As a child he lived in St Petersburg, but he made frequent trips abroad. In 1874 he travelled to Paris with his mother and frequented the studio of the Russian Realist painter, Il'ya Repin. In 1875 the art patron Savva Mamontov invited Serov and his mother to settle at ABRAMTSEVO outside Moscow, where he again had the opportunity to study under Repin and to meet other artists in the Mamontov circle. The Symbolist paintings of Mikhail Vrubel' and the late Impressionist landscapes and figure studies of Konstantin Korovin he saw at Abramtsevo had a lasting influence on the young Serov. From 1880 to 1885 he studied at the Academy of Art, St Petersburg, under Pavel Chistyakov (1832-1919). During the 1880s Serov also travelled abroad and became aware of French Impressionism. He began to use bright colours in portraits of figures seen in dappled sunlight and shade, as in his portrait of Vera Mamontov, Girl with Peaches (1887) and a portrait of Mariya Simonovich, Girl in Sunlight (1888; both Moscow, Tret'yakov Gal.).